The Truth in Midair, J. Hoberman

Like many post-9/11 films, *The Walk* is, in part, experiential, partaking in the simulated “new real-ness” which with cinema, as an institution, has responded to the loss of authenticity brought about by relentless digitalization. Petit’s actual walk was approximately three times as long as the filmed sequence but the difference is that, through the magic of digital cinema, Zemeckis is able to place the audience with Petit, on “an island floating in mid-air on the edge of the void.”

Donald Westlake – The Thrilling Detective Web Site

Lost in the Movies: Reading the Movies

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Something in the Air - Rotten Tomatoes

J. Hoberman: Rounding the Digital Turn - CGI, Cyborg Cinema, and the New Realness

LIFF29 Guide by Martin Grund - Issuu

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Movie culture: The Dead, the Deader and the Deadest, Scanners

Radiator Heaven: Film Critic Hall of Fame: J. Hoberman

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The Trial (1962) - News - IMDb